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Zeami - Performance Notes (Translations from the Asian Classics) de Tom Hare

Descripción - Críticas Thomas Hare is a highly gifted, graceful, and imaginative translator. Building on his previous masterful work in Zeami's Style: The Noh Plays of Zeami Motokiyo, he has brought Zeami's notes to life in English with great immediacy and verve. Zeami's 'performance notes' became public only in the twentieth century, having been written for his closest associates and artistic heirs and then kept as the tightly guarded property of successor performance lineages. The texts can, most obviously, be read as a window into Zeami's own thoughts, as his legacy and strategic guide for his immediate followers. They make it possible to reimagine a remarkable amount about performance practice in Zeami's day, and they are also of great interest as a window into the matter of writing itself in Zeami's time. The texts vary in the degree to which Zeami uses a consciously elevated style, writing in a sort of pseudo-Chinese. His use of terminology borrowed, adapted, expanded, or distorted from other discourses of his time, notably the discourses of poetry and of Buddhism, is fascinating as a study in its own right. -- Susan Matisoff, emerita professor of East Asian languages and cultures, University of California, Berkeley [Hare's] detailed, thorough, scholarly volume will no doubt serve as the choice for those seeking an in-depth understanding of Zeami... Highly recommended. CHOICE The translations are clear and straightforward. -- Joni Koehn Asian Theatre Journal this volume will have a great impact on noh scholarship and allow for a better understanding of Zeami's place in medieval culture. -- Eric C. Rath Monumenta Nipponica Reseña del editor Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries. His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese. Biografía del autor Tom Hare is William Sauter LaPorte '28 Professor of Regional Studies in the Department of Comparative Literature at Princeton University. His most recent books are Zeami's Style: The Noh Plays of Zeami Motokiyo and ReMembering Osiris: Number, Gender, and the Word in Ancient Egyptian Representational Systems.

Detalles del Libro

• Name: Zeami - Performance Notes (Translations from the Asian Classics)
  
• Autor: Tom Hare
  
• Categoria: Libros,Literatura y ficción,Historia, teoría literaria y crítica
  
• Tamaño del archivo: 11 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

Lee un libro Zeami - Performance Notes (Translations from the Asian Classics) de Tom Hare libros ebooks

Zeami: Performance Notes (Translations from the Asian ~ Zeami: Performance Notes (Translations from the Asian Classics).pdf. File Name: Zeami: Performance Notes (Translations from the Asian Classics).pdf Size: 25.26 MB Uploaded: 2017-04-11 05:10:15 Status: AVAILABLE Last checked: 39 Minutes ago! Rating: ★★★★★ 87 out of 100 based on 12835 user

Zeami: Performance Notes (Translations from the Asian ~ Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns.

Zeami: Performance Notes (Translations from the Asian ~ Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical .

Zeami: Performance Notes on JSTOR ~ Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns.

Zeami: Performance Notes (Translations from the Asian ~ .co.jp: Zeami: Performance Notes (Translations from the Asian Classics) (English Edition) 電子書籍: Zeami, Motoyiko, Hare, Tom: Kindleストア

Zeami: Performance Notes by Zeami ~ Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English.

Zeami’s Style: The Noh Plays of Zeami Motokiyo / Thomas ~ This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh.

the-noh : The Words of Zeami : His Dramatic Life ~ Although Zeami is credited with having perfected Noh as it exists today, his book “Jūroku-bu-shū” was not discovered until 1883 (Meiji 16).Until that time, this historical genius of Japanese culture, whose talent was equivalent to that of Sen no Rikyu, the founder of the tea ceremony, and Basho Matsuo, a haiku poet, had been forgotten not only among the public but also even among Noh .

ZEAMI - Encyclopædia Universalis ~ Auteur, acteur, compositeur, Zeami est le premier en date des grands dramaturges japonais. Il donna au nō, dans les premières décennies du xv e siècle, l'aspect qu'il a conservé à peu de choses près jusqu'à nos jours. On lui attribue près de la moitié du répertoire actuel de cette forme de théâtre ; mais plus important encore est l'ensemble des traités, longtemps gardés secrets .

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Zeami Critical Essays - eNotes ~ Zeami 1363-1443 (Full name Zeami Motokiyo) Zeami is the foremost nō dramatist and theorist, whose plays and treatises are largely responsible for transforming no from a rustic form of .

Zeami (Literary Criticism (1400-1800)) - Essay - eNotes ~ Zeami was born in Nagaoka, Yamashiro Province, the son of Kanze Kiyotsugu (known as Kan'ami), an eminent practitioner of sarugaku, as nō was then called. As a child Zeami performed in the Kanze .

Books by Zeami (Author of The Flowering Spirit) ~ Zeami has 80 books on Goodreads with 2820 ratings. Zeami’s most popular book is The Flowering Spirit: Classic Teachings on the Art of No.

On the Art of the No Drama / Princeton University Press ~ This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the .

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Zeami - SamuraiWiki ~ Thomas Hare, Zeami Performance Notes, Columbia University Press, 2008. Thomas Rimer and Yamazaki Masakazu trans. (1984). On the Art of the Nō Drama: The Major Treatises of Zeami. Princeton, New Jersey: Princeton University Press. Shelley Fenno Quinn. "How to write a Noh play - Zeami's Sandō." Monumenta Nipponica 48:1 (Spring 1993). pp58-62.

Zeami Motokiyo - Wikipedia ~ Zeami Motokiyo (世阿弥 元清) (c. 1363 – c. 1443), also called Kanze Motokiyo (観世 元清), was a Japanese aesthetician, actor, and playwright.His father, Kan'ami, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity .

Zeami Motokiyo - Wikipedia, la enciclopedia libre ~ Zeami Motokiyo (世阿弥 元清,? 1363-1443), también llamado Kanze Motokiyo (観世 元清,?), fue un actor y dramaturgo japonés. Además de escribir una gran cantidad de obras, Zeami escribió manuales de teoría teatral, publicados en 1910, y estableció el teatro nō como una forma seria de arte.Sus libros no son sólo instrucciones, sino también, tratados estéticos basados en la .

Zeami Motokiyo - www.BookRags ~ Immediately download the Zeami Motokiyo summary, chapter-by-chapter analysis, book notes, essays, quotes, character descriptions, lesson plans, and more - everything you need for studying or teaching Zeami Motokiyo.

Zeami Motokiyo - Simple English Wikipedia, the free ~ In 1434, Zeami was exiled to Sado Island. He returned only a few years before his death. Selected works. In a summary based on writings by and about Zeami, OCLC/WorldCat lists roughly 1,700+ works in 4,400+ publications in 40+ languages and 56,600+ library holdings.

Zeami Motokiyo - Wikipedia ~ Zeami Motokiyo (世阿弥 元清,? 1363-1443), tamién llamáu Kanze Motokiyo (観世 元清,?), foi un actor y dramaturgu xaponés. Amás d'escribir una gran cantidá d'obres, Zeami escribió manuales de teoría teatral, publicaos en 1910, y estableció el teatru nō como una forma seria d'arte.Los sos llibros nun son namái instrucciones, sinón tamién, trataos estéticos basaos na cultura .

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